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This is an old post, from an old blog, edited and re-published.

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There is something incredibly beautiful about derelict buildings. Broken wrinkles running down their length, faded memories staining the once fresh coat of paint, they stand tall, held together only by the stories they’ve helped weave over the years.

Drown out the noise and you’ll hear that that soft assured voice you thought was gone. Like the matriarch, sitting in her favourite chair, a fire by her side and the little ones around her, these old buildings will tell you the stories and scandals of time – from the mundane to the extraordinary, and the life led in between.

Rotting window frames and fragile balconies stare at a changing world. The street lamps, on the other hand, haven’t aged at all (this is how small grudges build and cause great falls).

Around the corner, an old warrior has fallen; they blame it on the arthritis that set in. In its place now stands an upstart, arrogant and healthy (the elevators and plumbing, both work like clockwork, and as silent as a mouse). It makes them look bad, bringing waves of pity and scorn. None are deserved.

The traffic light changes and cars charge on. Delicate stone faces carved along the building get dust in their eyes. Look closer and you’ll see eroded smiles. On the terrace amidst a tangle of cords and cables, ageing blue-green veins, under layers of dirt, a fading J hearts I remains, even though it isn’t true anymore.

And therein lies the truth: time changes, but the stories, they remain the same. Along these streets, the old buildings watch them replay over and over  again. If only you’d stop and ask, they’d teach you a thing or two.

An army of Roman Generals size me up from across the terrace. Their stern expressions and concrete uniforms blur slightly in the soft green waters of the streaming pool below.

Through the twirling ribbons of mist, I trace out the jade green and stone of the Great Pool. Black lanterns holding wild orange flames hang above the water. Below, there is a quiet swoosh and the odd gurgle.

A sign asks visitors not to touch the water – a little Vietnamese girl, with mischief in her eyes, dips her fingers into the pool. Her parents giggle and take photos. In a few years the rules will change; she’ll smart from the sharp smack on her fingers and the stern words to behave.

A young man dressed in a cream coloured toga, red cape and brown sandals walks past me. I remember chunks from my history texts – the politics of the time, the wars waged, the conquests, the brutal games, the betrayals, all masked behind good intentions and works of beauty.

He smiles. I smile back, unsure about which of us is stuck in the wrong time.

It’s really cold. I can’t feel my nose. I want to pull out the orange from the building’s crooked windows and smear it on the sky. Hands stuffed deep inside my pockets I follow the lazy trail of blue-black mosaic zig past tipsy pillars and zag under dancing ferns. I can see myself living in this crush of colour and awkward shape, muttering nasty somethings at the crowds (and their cameras) outside.

Vienna, January 2010.

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I’ve taken to writing (myself) postcards when travelling. I’ve this image in my head, of me, thirty-forty years down the line, going through stacks of yellowing postcards, and thinking about the good old days, a cup of hot chai in hand.

In Stone and Glass

Drilling sounds and yellow cranes are becoming an all too familiar sight across Zagreb.  Pausing along the promenade encircling the old town, standing over the city, I trace the multiple changes taking place.

The inner city is terracotta rooftops and baroque domes. But further out it’s only glass and concrete. Even from here I can see the cranes strain, laboriously lifting raw materials to form unappealing blocks. They are no match to the old, depressing communist buildings, no they are almost stunning in comparison, but in an empty, soulless way. On the far left, close to the horizon, the steel frame of one of the commercial buildings catches the sun and throws out blinding sparks. I squint and turn back to the domes of the past.

But even at the heart of the city, the drilling machines have managed to sneak in. On Illica, the main street, the ground trembles, the soft white and cream trim on the old buildings are coated with dirt and the gargoyles spend sleepless nights as a new shopping mall rises. The project has taken a while; there have been protests, but work has resumed. They say the integrity of the old centre will be maintained, but no one is sure. Like me, many fear that in this mad dash to modernize the city is replacing its ghosts and legends with shiny, lifeless glass panes.

A Tale of Two Airports

Zagreb: It’s a forty minute drive to the airport. Since it’s early, and our taxi driver is high on caffeine, we get there in thirty minutes flat.

London (Luton)
: It takes forever to get to the airport. After the first hour, the journey is a blur. Between the road work and road diversions, traffic jams and road rage breaks, my blood pressure rises and falls faster than you could say Go!

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Zagreb: I rub left over sleep out of my eyes. And then again. I can’t believe the crowds that have turned out today. There are more people queued up at the check-in counter than there are at the airport cafe; a novelty in these parts. The airline agents looked hassled and overworked.

London (Luton): Outside, it’s so cold it hurts to breathe. Inside, there’s raging chaos. Flight are either delayed or cancelled (later we’ll see a row of docile planes standing still, nose buried in the ground, like grazing sheep). Ours though is on schedule. We scurry into line before they change their minds.

*
Zagreb: A child screams somewhere in the line. A bag is dropped. A lady excuses herself, the others save her place in the line. Most of the flights are on time so there’s no panic. We check-in our luggage and head out for a coffee.

London (Luton): People are screaming instructions in a hundred directions. The lady in the next line is being asked to pay £65 for exceeding luggage limits. She howls and pleads. The airline official repeats the sum and looks away. By the time we’ve checked-in, it’s time to race across the airport, to security check and the gate a mile away; we’ve got our running shoes.

*
Zagreb: I smile like a crazed fool at the hint of a non-Croat (native) English accent. They are hard to come by in this nook and I relish every home grown syllable.

London (Luton)
: I smile like a crazed fool at the hint of the English accent. These days they are pretty hard to come by in this nook and I relish every home grown syllable.

*
Zagreb: Our dark blue passports (with a golden emblem) create a major stir. This happens every single time we cross Zagreb immigration. First there is the insane flipping of the pages. Then there is the staring before a second phase of page flipping. This is followed by a long, animated discussion, which prompts much punching of the keyboards, reaching for files and more flipping, and then eventually down comes the stamp. We shift our expressions from frustrated to indifferent, depending on the day.

London (Luton): Our dark blue passports (with a golden emblem) and the immigration’s officer are old, old friends. Sometimes on very good terms, at others a little estranged. But either way, there is a lot of history there. He knows his way around every watermark and every stamp. Even before we finish answering his questions (disguised as conversation) he stamps our entry into the country.

*

The New Year hasn’t been the productive spool of writing I’d imagined it would. Not yet, at least.

My return from London saw me carry back a slice of what was to become the winter freeze. Firmly lodged in my chest, this TB look-alike has ravaged the first weeks of the shiny new year.

Cough-cough-splutter-splutter-gasp-Gasp-cough-cough-cough-sigh.

I’ve spent the days chugging cough syrup and popping pills. One makes me dumb and drowsy; the other puts me to sleep. Take about being productive.

There’s no winter freeze here, but the weather has been downright moody. It rains, it snows, and then the lot of it melts into white-brown muck. Given the conditions, I prefer coughing indoors. When I do venture out, wrapped up and inflated in wool, I pop a dozen mints into my mouth to block the incessant coughing. I do it mostly out of vanity (who wants to be looked at as a highly contagious terminal element?) but  also to maintain public order and peace (who wants to trigger a seemingly contagious episode?).

It’s a short term solution that seems to work. But when the mint supply ends, another hell awaits. The suppressed cough pounds its way out; I shake and roll like the subject of an exorcism ritual, maybe worse; my lungs and windpipes are on fire, and my head hurts.

Worse, any good idea that flits past the drugs is thrown right out with a swarm of angry spit. Instead of writing, I sit crumpled in front of the TV watching reality shows. The headache worsens.

I (try to) convince myself at the start of everyday that I just need to power on. Sit and be stubborn. Once the words come, the cough will subside to the background. Oh well. No, I’m not off to a racing start but then I’ve always liked the tortoise, haven’t I?

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